With the Emmy Awards Season drawing near, SHOOT® has published a special preview feature in advance of its 2019 16-week “Road to Emmy” Series that will kick-off on May 10.
Click here to see the Emmy Awards Preview feature & other content of interest in the PDF version of SHOOT Magazine’s March/April Issue. Click here to see the digital version of the Emmy Awards Preview feature on SHOOTonline.com
The “Road to Emmy” series places a spotlight on the producers, directors, documentarians, cinematographers, editors, production designers, visual effects supervisors, composers and other artisans – each feature explores the backstories, creative challenges and collaborative relationships experienced by notable artisans generating Emmy buzz. Links to each upcoming “Road to Emmy” installment will be published on SHOOTonline.com (45,000+ unique visitors) with links to each article going out in the same day’s SHOOT Dailies email newletter and that Friday’s SHOOT>e.dition email newsletter (28,000 opt-in subscribers). The Preview article also appeared in SHOOT Magazine’s March/April Print Issue & PDF version, Part 3 of the series will also appear in the May/June Print Issue & PDF version and Part 14 will also appear in the August/September Print Issue & PDF version. Emmy nominations coverage will be published on SHOOTonline.com on July 16 and season coverage will conclude with coverage of the Creative Arts Winners on September 14 and 15, and Primetime Winner coverage on Sepember 22.
- Click Here for the 2019 SHOOT Road to Emmy Calendar.
- Click Here to see past Road to Emmy series SHOOTonline digital versions.
- Click Here to see the Print/PDF version of the 2018 SHOOT Road to Emmy kick off feature.
- Click Here to see the Print/PDF version of the 2018 SHOOT Part 13 Road to Emmy feature.
Who will be among the 2019 nominees and winners?
While there will be many other shows and programs that will be generating Emmy buzz throughout this year’s series, some sure to be talked about include…
From ABC: “Black-ish” “How to Get Away with Murder,” “Modern Family,” “The Conners” From Amazon Prime: “A Very British Scandal Homecoming,” “King Lear,” “The Man in the High Castle,” “The Marvelous Mrs. Maisel,” “The Romanoffs” From AMC: “Better Call Saul” From BBC America, AMC: “Killing Eve” From Bravo: “Dirty John” From CBS: “Mom, “The Big Bang Theory” From CBS All Access: “The Good Fight” From The CW: “Crazy Ex-Girlfriend,” “Jane the Virgin” From Facebook Watch: “Sorry For Your Loss From Fox: “Empire” From FX: “American Horror Story: Apocalypse,” “Better Things,” “Fosse/Verdon,” “Pose” From HBO: “Barry,” “Big Little Lies,” “Catherine the Great,” “Game of Thrones,” “High Maintenance,” “Sharp Objects,” “Succession,” “The Deuce,” “True Detective,” “Veep,” and telefilms such as “Brexit,” “Native Sun,” “the Deadwood movie” From Hulu: “Castle Rock,” “Catch-22,” “The Handmaid’s Tale” From National Geographic: “Free Solo,” “The Hot Zone” From NBC: “Brooklyn Nine Nine,” “Manifest,” “Saturday Night Live,” “The Good Place (NBC),” “The Tonight Show,” “This is Us,” “Will & Grace” From Netflix: “After Life,” “American Vandal,” “Arrested Development,” “Central Park Five,” “GLOW,” “Grace and Frankie,” “House of Cards,” Maniac,” “Ozark,” “Russian Doll,” “The Kominsky Method,” “The Umbrella Academy,” “Unbreakable Kimmy Schmidt,” “When They See Us” From Paramount Network: “Yellowstone” From Pop TV: “Schitt’s Creek” From Showtime: “Billions” “Black Monday,” “Escape at Dannemora,” “Kidding,” “Ray Donovan,” “Shameless” “The Chi” From Starz: “Counterpart,” “Now Apocalypse,” “Outlander,” “Power,” “Vida” From USA Network: “The Sinner”
SHOOT editors will be profiling and interviewing executives and artisans behind some of the shows, programs & films above plus many others from May-August this year.
SHOOT is on Top of the Bottom Line and Ahead in Behind The Scenes
Of the 30 Television Academy Peer Groups, representing specific fields of expertise within the motion picture, TV, and commercial production industry, SHOOT focuses on 26 of them, delivering decision-making news, back stories, and inspiration 365/24/7 for the last 58 years.
Animation, Art Directors and Set Decorators, Casting Directors, Children’s Programming, Cinematographers, Commercials, Costume Design & Supervision, Directors, Documentary Programming, Electronic Production, Interactive Media, Los Angeles Area, Makeup/Hairstylists, Motion & Title Design, Music, Picture Editors, Producers, Production Executives, Professional Representatives, Public Relations, Reality Programming, Sound, Sound Editors, Special Visual Effects, Television Executives, Writers
Ideal Audience & Environment for your Emmy “FYC” Marketing
SHOOT’s digital and print platforms provide the ideal environments in which to promote prior to & during nomination voting that will take place 6/10-6/24 and then prior to & during final round voting that will take place 8/15-8/29. SHOOT Magazine Print (with bonus PDF version) and SHOOTonline/The SHOOT Dailies/The SHOOT>e.dition digital platforms are ideal for bringing attention to your programs and individual nominees. Our audience of production & post industry executives and artisans including ATAS members (SHOOT is extremely strong in the vast majority of the ATAS peer groups) will be reading SHOOT’s Emmy-related coverage with great interest throughout Emmy Season. Our readership includes production executives, producers, directors, cinematographers, editors, production designers, visual effects & animation executives & artisans, music & sound executives & artisans and much more.
TARGET YOUR FYC CAMPAIGN TO SHOOT’S AUDIENCE OF ABOVE-THE-LINE & BELOW-THE-LINE DECISION-MAKERS with the following digital and print Marketing options:
(Click Here for digital Ad Rates)
► SHOOTonline.com 45,000+ unique visitors per month*. 7-day or 30-day runs can start any day.
The cornerstone of many Emmy FYC and Academy FYC Campaigns, your banner/s on SHOOTonline will appear on the Home Page and all pages throughout the site which includes Home Page, News pages, Screenwork pages, SHOOT Publicity Wire pages. We don’t sell by section or page – you get it all This is an important SHOOT benefit because while thousands of users enter the site via the Home Page, thousands also enter via links in one of three regular email newsletters going to all different pages on the site to read articles, interviews, charts, new work, columns, etc. (The SHOOT Dailies comes out daily M-F, Brand New[s] comes out on Wednesdays & The SHOOT>e.dition comes out on Fridays).
File formats accepted: JPEG, GIF, Animated GIF, Flash, HTML5, and third party tags**.
Banner sizes include regular & expandable banners: 728×90, 300×250, 300×600, 468×60. Interstitials: 600×500. SHOOTonline is DFA and Jetpack certified.
The 300×250 banners rotate in and out of all of the side banners up & down the pages; the 300×600 banners rotate in most of those slots as well so banners are always on multiple pages at same time and sometimes on same page in different slots at the same time.
In addition to the Road to Emmy Series, there will be all kinds of Emmy-related news and features that will appear on the site and in the SHOOT>e.dition & SHOOT Dailies email newsletters during the season. Because we are a highly targeted site, it is filled with all kinds of other industry-related content of great interest to people you want to reach so they are reading all throughout the site regularly.
The SHOOT>e.dition Published every Friday, this weekly email newsletter goes to 28,000 opt-in subscribers. The SHOOT>e.dition contains headlines/abstracts to all of the content published on SHOOTonline.com since the previous Friday’s SHOOT>e.dition. Banner creative is due two days in advance of run date. File formats accepted: JPEG, GIF, Animated Gif; site-served; you may provide tracking tags.
Banner sizes include “Top” 468×60, “Side” 180×150, “Skyscraper” 180×600. and choice of two ‘Bottom Banner” sizes 468×60 or 595×250
See web versions of a sampling of past Emmy Season SHOOT>e.ditions…
- Click Here of 12/14/18 SHOOT>e.dition (banners for Prime Video’s “The Marvelous Mrs. Maisel”)
- Click Here for 11/30/18 SHOOT>e.dition (banners for Prime Video’s “The Marvelous Mrs. Maisel”)
- Click Here for 11/23/18 SHOOT>e.dition (banners for Prime Video’s “The Romanoffs”)
- Click Here for 5/18/18 SHOOT>e.dition (banner for Amazon Prime’s “Long Strange Trip”)
- Click Here for 8/18/17 SHOOT>e.dition (banner for Hulu’s “The Handmaid’s Tale”)
- Click Here for 6/16/17 SHOOT>e.dition (banners for Amazon Prime’s “Sneaky Pete”)
- Click Here for 6/9/17 SHOOT>e.dition (banners for Netflix’s “Master of None” and Amazon Prime’s “I Love Dick”)
- Click Here for 8/12/16 SHOOT>e.dition (banners for Amazon Prime’s “Transparent”
2019 SHOOT>e.dition Emmy Season schedule:
Phase 1: May 3, 10, 17, 24, 31 June 7, 14, 21, 28 July 5, 12
Phase 2: July 19, 26 August 2, 9, 16, 23
SHOOT Dailies Published daily Monday-Friday, you can get banner to us the day before. This email newsletter has a subscriber base of 3,500. If already promoting on SHOOTonline.com and The SHOOT>e.dition, this is great add-on for making an added splash. File formats accepted: JPEG, GIF, Animated Gif. Banner sizes include 728×90, 180×600, 180×150.
- Click Here for 12/18/18 SHOOT Dailies (banners for Prime Video’s “The Romanoffs”
- Click Here for 11/28/18 SHOOT Dailies (banners for Prime Video’s “The Marvelous Mrs. Maisel”
- Click Here for 11/7/18 SHOOT>e.dition (banners for Prime Video’s “A Very English Scandel”
► SHOOT Custom Email Blasts sent to our opt-in database of 45,000. Ideal for screening invitations, streaming notices, promoting BTS Videos, and other FYC Messages
Here are just a few we’ve sent out:
Click Here for Custom Email Blast Rates/specs
► SHOOT Magazine Print Issue (with bonus PDF version,)
SHOOT Magzine’s highly targeted circulation includes production/post industry executives & artisans; when you run a Print Ad, the PDF version runs with live link to your FYC site in the PDF version of the issue that is posted on SHOOTonline.com for additional readers to view/download. We drive traffic to the PDF Issue with banner Ads on the SHOOT>e.dition email newsletter for six weeks after it’s published. We also email the PDF version to the 28,000 opt-in subscribers of The SHOOT>e.dition email newsletters.
Put your FYC message into decision-makers’ hands!
March/April Issue
(The PDF version was posted online on 3/29 & emailed to 28,000 opt-in subscribers on 4/2. Print Issue was out 4/1)
Space Reservations: March 19 || Ad PDF File Due: March 22 (final extension March 25)
May/June Issue
(PDF version will be posted online on 5/24 & emailed to 28,000 opt-in subscribers on 5/27. Print Issue out 5/27)
This Issue will have Part 3 of the Road to Emmy Series
Space Reservations: May 13 || Ad PDF File Due: May 17 (final extension May 20)
Bonus distribution at 5 industry events:
SHOOT 17th Annual New Directors Showcase Event ( DGA NYC), AICP Week basecamp, Produced by LA,
Cannes Lions, Cine Gear Expo
Click Here for PDF version of the May/June 2018 Issue
(Ads for “Mindhunter,” “The Marvelous Mrs. Maisel,” “Long Strange Trip,” “GLOW,” “Godless,” “Ozark”)
August/September Issue
(PDF version will be posted online on 8/9 & emailed to 28,000 opt-in subscribers on 8/12. Print Issue out 8/12)
This Issue will have Part 14 of the Road to Emmy Series
Space Reservations: July 29 || Ad PDF File Due: August 2 (final extension August 5)
Click Here for PDF version of the Aug/Sept. 2018 Issue
(Ads for “Godless,” “The Marvelous Maisel,” “Stranger Things,” “The Crown”)
The SHOOT Publicity Wire (The SPW): Post Your TV and Film News, Promos, BTS videos & more
Self-service and easy to use, The SPW reaches entertainment & commercial production and post decision-makers, influencers, executives and artisans, media outlets, journalists, bloggers, researchers, social networkers, search engines, prosumers, fan sites, & other industry stakeholders and influential decision-makers that affect the commercialmaking, filmmaking, cinema, media and television, web and mobile video businesses. Distribution of your SPW Release will include: SHOOTonline Mobile App and SHOOT’s opt-in ePubs (SPW Media Alerts, Brand New[s], SHOOT Dailies, SHOOT>e.dition) SHOOTonline.com site placement, archiving and indexing, RSS Feeds, social feeds to Twitter, Facebook, LinkedIn and mobile SMS dynamic feed,and search engine optimization (SEO) for Google, Yahoo, Bing, etc.
Rates: $60. – post a release with full content, up to 8 photos, hot links & video. $20. – post a video release with video, description and credits.
SHOOT 2019 17th Annual New Directors Showcase Event at the DGA in NYC: Become a Sponsor!
We are seeking Sponsors for SHOOT’s 17th Annual New Directors Showcase Event coming up on May 30th at the Directors Guild of America (DGA) in NYC. This will be our 15th year holding the event at the DGA and 15th year that the DGA is a Lead Sponsor of the event.
What the event is all about… From January-March each year, we conduct the official SHOOT New Directors Search for directors directing any type of entertainment or commercial content less than three years. Once the best approximately 30 pieces of work is selected, we build the New Directors Showcase Event around the debut screening of the NDS Reel. While our primary goal for the event is to introduce new directors to the entertainment & commercial production communities, the secondary and equally important goal is to provide industry perspective from leading production executives and directors who share inside details on everything from exciting new work and cutting edge technology to changing business models and evolving industry relationships. We accomplish this with our afternoon Forum Agenda that takes place prior to the New Directors Showcase Screening, Meet the New Directors Panel and After-party. We absolutely love producing this event every year; it’s always rewarding to hear from each year’s group of directors afterwards on how much the exposure meant to them in helping to advance their careers.
Sponsor Levels… In addition to the Bronze, Silver & Lead Sponsor levels, we’re pleased to offer an Industry Supporter level this year as well as a “Presenting Sponsor” level this year. For the “Presenting Sponsor” level, we’ll help you develop your own morning program totally devoted to your network & programs with opportunity to host the evening after-party at your own venue or off-site location or at the DGA.
Attendees & Coverage of Full Event
In addition to the production & post decision-makers who attend, most of the directors selected for the New Directors Showcase attend the Forum & NDS, gaining insights from established directors and producers during the afternoon, setting the stage for the evening Showcase which provides industry exposure for the work of up-and-coming talent that helps to advance the next generation of directorial talent & provide valuable industry info/perspective for all attendees. The new directors are excited to be part of the event & their enthusiasm rubs off on everyone who feels good about discovering & mentoring new talent. Attended by 400 Film, TV & Ad industry production/post execs & artisans, the event has become a “Must Attend” stop on the annual production industry event scene. SHOOT covers the event with articles/videos on SHOOTonline with links to them in The SHOOT>e.dition & SHOOT Dailies email newsletters bringing the event to the attention of our full audience!
Sponsor Name and/or Logo will appear on all event digital & print promotion…
- Event email blast invitations that are sent five+ times to our database of 45,000 emails
- Event registration page & the Sponsors Page on the NDS microsite that stays live for full year after event
- Event Program given to attendees before Forum Panels & NDS evening screening/panel/party
- Giant on screen credits prior to start of Forum and prior to start of NDS evening agenda & Poster at DGA
- We heavily promote the panels prior to event via articles on SHOOTonline, The SHOOT>e.dition & SHOOT Dailies email newsletters as well as The SHOOT>e.dition and publicity releases on The SHOOT Publicity Wire. We also cover the event after bringing it to the attention of our full audience. Sponsors are always mentioned in all promotion and all editorial coverage.
- PDF directory of attendees sent to attendees after event with name, title, co, address, phone#s
(Sponsors will also receive an excel file of full registration list including email addresses!)
Past Sponsors: Anonymous Content, Argyle Brothers, ARRI, Backyard, Biscuit, brother, charlieuniformtango, Company, Company 3, Crossroads, CT Film Office, Deluxe, Directors Guild of America, Film US Virgin Islands, Form, Gartner, Getty Images, harvest films, Hungry Man, Kodak, Light Iron, Madison + Vine, Method Studios, Montana Film Office, Moxie Pictures, Nevada Film Office, One at Optimus, Palace Productions/MediaVision, Pump Audio, RSA Films, Sony, Superlounge, T3 Media, The Devil You Know, The Mill, Tool of NA, West Virginia Film Office, YouTube Red Originals.
- Click Here to see 2018 SHOOT New Directors Showcase Reel
- Click Here to see coverage of the 2018 daytime sessions
- Click Here to see special panel with company exec and director we created when YouTube Originals was an event Sponsor
- Click Here to see coverage of the 2018 evening NDS Screening, panel & after-party
- Click Here for more Sponsor Information. We love to have you join us this Year!
SHOOT print & digital advertising Marketing Links….
- Click Here for SHOOT Magazine Ad Sizes/Specs
- Click Here for SHOOT Magazine Print (with Bonus PDF version) Ad Rates
(When you place a print Ad, the PDF version runs with live link to FYC site at no extra charge in PDF version of the issue that is posted on our site for readers to view/download.) PDF version is also emailed to The SHOOT>e.dition’s 28,000 opt-in subscribers.
- Click Here for SHOOTonline Banner specs
- Click Here for SHOOTonline.com, SHOOT>e.dition, SHOOT Dailies & SHOOT Custom email blast Digital Ad Rates
- Click Here for Custom email blast Rates/specs
Contact us… For more information on SHOOT Marketing and how we can tailor a program for you please contact SHOOT Publisher, Roberta Griefer, at 203/227-1699, ext 701 or via email.
About SHOOT Magazine / SHOOTonline
SHOOT® Magazine and SHOOTonline® are the leading publication and website for Film, Tv & Commercial Production & Post; edited for agency, movie & studio creative and production executives, executives at commercial and entertainment production/post companies, TV/Online/Mobile networks, brand marketer production executives, independent filmmakers and artisans including directors, cinematographers, editors, colorists, vfx supervisors/artists/animators, composers, sound designers & mixers. Through its “News” and “ScreenWork” sections, “Columns” and in-depth “Features”, SHOOT publishes timely news, relevant information and a behind-the-scenes look at the best new work, profiles/interviews with industry news makers, film festival, award shows and industry events. In addition, SHOOT reports on the latest cinematography, post & editing technology and equipment. If the work involves advertising or entertainment motion picture content that consumers view on a screen—a TV screen, Cinema screen, Computer screen, Mobile screen or Game screen, SHOOT is searching out who’s doing the most innovative work and what’s coming next. For further information please visit www.SHOOTonline.com®
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